Assemblage in contemporary British poetry

The act of assemblage, of composition through unifying disparate elements of pre-existing texts, takes many forms in contemporary British poetry, and is utilised to various ends. However, despite the multifarious ways in which this aesthetic manifests itself, there are two overriding functions that assemblage performs: firstly it challenges pre-conceived notions of poetic form and extends the ways in which a text can generate meaning, and secondly it uses this formal and linguistic experimentation to exhibit a certain postmodern malaise in contemporary culture.

Rethinking retromania: temporality and creativity in contemporary popular music

The overriding thesis of ‘retromania’ critique is that recent technological and cultural circumstances have led to something of a regression in the creative impulses of musicians, leading to a lack of innovative styles and an overreliance on pre-existing forms as the inspiration for ‘new works’.